Les Misérables, стр. 518

I tell you that you must try to learn for me what that wedding is, who that old cove belongs to, and where that wedding pair lives.”

“I like that! that would be queer. It’s so easy to find out a wedding party that passed through the street on a Shrove Tuesday, a week afterwards. A pin in a haymow! It ain’t possible!”

“That don’t matter. You must try. You understand me, Azelma.”

The two files resumed their movement on both sides of the boulevard, in opposite directions, and the carriage of the maskers lost sight of the “trap” of the bride.

II

Jean Valjean Still Wears His Arm in a Sling

To realize one’s dream. To whom is this accorded? There must be elections for this in heaven; we are all candidates, unknown to ourselves; the angels vote. Cosette and Marius had been elected.

Cosette, both at the mayor’s office and at church, was dazzling and touching. Toussaint, assisted by Nicolette, had dressed her.

Cosette wore over a petticoat of white taffeta, her robe of Binche guipure, a veil of English point, a necklace of fine pearls, a wreath of orange flowers; all this was white, and, from the midst of that whiteness she beamed forth. It was an exquisite candor expanding and becoming transfigured in the light. One would have pronounced her a virgin on the point of turning into a goddess.

Marius’ handsome hair was lustrous and perfumed; here and there, beneath the thick curls, pale lines⁠—the scars of the barricade⁠—were visible.

The grandfather, haughty, with head held high, amalgamating more than ever in his toilet and his manners all the elegances of the epoch of Barras, escorted Cosette. He took the place of Jean Valjean, who, on account of his arm being still in a sling, could not give his hand to the bride.

Jean Valjean, dressed in black, followed them with a smile.

“Monsieur Fauchelevent,” said the grandfather to him, “this is a fine day. I vote for the end of afflictions and sorrows. Henceforth, there must be no sadness anywhere. Pardieu, I decree joy! Evil has no right to exist. That there should be any unhappy men is, in sooth, a disgrace to the azure of the sky. Evil does not come from man, who is good at bottom. All human miseries have for their capital and central government hell, otherwise, known as the Devil’s Tuileries. Good, here I am uttering demagogical words! As far as I am concerned, I have no longer any political opinions; let all men be rich, that is to say, mirthful, and I confine myself to that.”

When, at the conclusion of all the ceremonies, after having pronounced before the mayor and before the priest all possible “yesses,” after having signed the registers at the municipality and at the sacristy, after having exchanged their rings, after having knelt side by side under the pall of white moire in the smoke of the censer, they arrived, hand in hand, admired and envied by all, Marius in black, she in white, preceded by the suisse, with the epaulets of a colonel, tapping the pavement with his halberd, between two rows of astonished spectators, at the portals of the church, both leaves of which were thrown wide open, ready to enter their carriage again, and all being finished, Cosette still could not believe that it was real. She looked at Marius, she looked at the crowd, she looked at the sky: it seemed as though she feared that she should wake up from her dream. Her amazed and uneasy air added something indescribably enchanting to her beauty. They entered the same carriage to return home, Marius beside Cosette; M. Gillenormand and Jean Valjean sat opposite them; Aunt Gillenormand had withdrawn one degree, and was in the second vehicle.

“My children,” said the grandfather, “here you are, Monsieur le Baron and Madame la Baronne, with an income of thirty thousand livres.”

And Cosette, nestling close to Marius, caressed his ear with an angelic whisper: “So it is true. My name is Marius. I am Madame Thou.”

These two creatures were resplendent. They had reached that irrevocable and irrecoverable moment, at the dazzling intersection of all youth and all joy. They realized the verses of Jean Prouvaire; they were forty years old taken together. It was marriage sublimated; these two children were two lilies. They did not see each other, they did not contemplate each other. Cosette perceived Marius in the midst of a glory; Marius perceived Cosette on an altar. And on that altar, and in that glory, the two apotheoses mingling, in the background, one knows not how, behind a cloud for Cosette, in a flash for Marius, there was the ideal thing, the real thing, the meeting of the kiss and the dream, the nuptial pillow. All the torments through which they had passed came back to them in intoxication. It seemed to them that their sorrows, their sleepless nights, their tears, their anguish, their terrors, their despair, converted into caresses and rays of light, rendered still more charming the charming hour which was approaching; and that their griefs were but so many handmaidens who were preparing the toilet of joy. How good it is to have suffered! Their unhappiness formed a halo round their happiness. The long agony of their love was terminating in an ascension.

It was the same enchantment in two souls, tinged with voluptuousness in Marius, and with modesty in Cosette. They said to each other in low tones: “We will go back to take a look at our little garden in the Rue Plumet.” The folds of Cosette’s gown lay across Marius.

Such a day is an ineffable mixture of dream and of reality. One possesses and one supposes. One still has time before one to divine. The emotion on that day, of being at midday and of dreaming of midnight is indescribable. The delights of these two hearts overflowed upon the crowd, and inspired the passersby with cheerfulness.

People halted in the Rue Saint-Antoine, in front of Saint-Paul, to