Les Misérables, стр. 44
His mind wavered for a whole hour in fluctuations with which there was certainly mingled some struggle. Three o’clock struck. He opened his eyes again, drew himself up abruptly into a sitting posture, stretched out his arm and felt of his knapsack, which he had thrown down on a corner of the alcove; then he hung his legs over the edge of the bed, and placed his feet on the floor, and thus found himself, almost without knowing it, seated on his bed.
He remained for a time thoughtfully in this attitude, which would have been suggestive of something sinister for anyone who had seen him thus in the dark, the only person awake in that house where all were sleeping. All of a sudden he stooped down, removed his shoes and placed them softly on the mat beside the bed; then he resumed his thoughtful attitude, and became motionless once more.
Throughout this hideous meditation, the thoughts which we have above indicated moved incessantly through his brain; entered, withdrew, re-entered, and in a manner oppressed him; and then he thought, also, without knowing why, and with the mechanical persistence of reverie, of a convict named Brevet, whom he had known in the galleys, and whose trousers had been upheld by a single suspender of knitted cotton. The checkered pattern of that suspender recurred incessantly to his mind.
He remained in this situation, and would have so remained indefinitely, even until daybreak, had not the clock struck one—the half or quarter hour. It seemed to him that that stroke said to him, “Come on!”
He rose to his feet, hesitated still another moment, and listened; all was quiet in the house; then he walked straight ahead, with short steps, to the window, of which he caught a glimpse. The night was not very dark; there was a full moon, across which coursed large clouds driven by the wind. This created, outdoors, alternate shadow and gleams of light, eclipses, then bright openings of the clouds; and indoors a sort of twilight. This twilight, sufficient to enable a person to see his way, intermittent on account of the clouds, resembled the sort of livid light which falls through an air-hole in a cellar, before which the passersby come and go. On arriving at the window, Jean Valjean examined it. It had no grating; it opened in the garden and was fastened, according to the fashion of the country, only by a small pin. He opened it; but as a rush of cold and piercing air penetrated the room abruptly, he closed it again immediately. He scrutinized the garden with that attentive gaze which studies rather than looks. The garden was enclosed by a tolerably low white wall, easy to climb. Far away, at the extremity, he perceived tops of trees, spaced at regular intervals, which indicated that the wall separated the garden from an avenue or lane planted with trees.
Having taken this survey, he executed a movement like that of a man who has made up his mind, strode to his alcove, grasped his knapsack, opened it, fumbled in it, pulled out of it something which he placed on the bed, put his shoes into one of his pockets, shut the whole thing up again, threw the knapsack on his shoulders, put on his cap, drew the visor down over his eyes, felt for his cudgel, went and placed it in the angle of the window; then returned to the bed, and resolutely seized the object which he had deposited there. It resembled a short bar of iron, pointed like a pike at one end. It would have been difficult to distinguish in that darkness for what employment that bit of iron could have been designed. Perhaps it was a lever; possibly it was a club.
In the daytime it would have been possible to recognize it as nothing more than a miner’s candlestick. Convicts were, at that period, sometimes employed in quarrying stone from the lofty hills which environ Toulon, and it was not rare for them to have miners’ tools at their command. These miners’ candlesticks are of massive iron, terminated at the lower extremity by a point, by means of which they are stuck into the rock.
He took the candlestick in his right hand; holding his breath and trying to deaden the sound of his tread, he directed his steps to the door of the adjoining room, occupied by the Bishop, as we already know.
On arriving at this door, he found it ajar. The Bishop had not closed it.
XI
What He Does
Jean Valjean listened. Not a sound.
He gave the door a push.
He pushed it gently with the tip of his finger, lightly, with the furtive and uneasy gentleness of a cat which is desirous of entering.
The door yielded to this pressure, and made an imperceptible and silent movement, which enlarged the opening a little.
He waited a moment; then gave the door a second and a bolder push.
It continued to yield in silence. The opening was now large enough to allow him to pass. But near the door there stood a little table, which formed an embarrassing angle with it, and barred the entrance.
Jean Valjean recognized the difficulty. It was necessary, at any cost, to enlarge the aperture still further.
He decided on his course of action, and gave the door a third push, more energetic than the two preceding. This time a badly oiled hinge suddenly emitted amid the silence a hoarse and prolonged cry.
Jean Valjean shuddered. The noise of the hinge rang in his ears with something of the piercing and formidable sound of the trump of the Day of Judgment.
In the fantastic exaggerations of the first moment he almost imagined that that hinge had just become animated, and had suddenly assumed a terrible life, and that it was barking like a dog to arouse everyone, and warn and to wake those who were